Douglas Kirkland

Designer Coco Chanel Sewing in Paris, 1962 by Douglas Kirkland

1962

Unforgiven Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 43 x 76 inches 6...

The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...

On the Road Again Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: ...

Enough is Enough Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inch...

Chief Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 65 inches 67 x 92 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Over the last few weeks we have quietly been photographing senior American Indians against the backdrop of quintessential and emblematic American vistas. Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that American Indians have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political. There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion with which we want to fully engage, as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North. The senior Elder of the fabled Lakota tribe is John Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Indian chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls. The ground in front of Devils Tower...

No Currency Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 70 inches ...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the phot...

EMMA SUMMERTON (*1970, Australia) Hydrea #013 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #009 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #006 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #003 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Amanda in Red & Pink, 2016 Archival pigment print on Hahnemühle paper Sheet 160 x 120 cm (63 x 47 1/4 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner while starting her career as a photographer. Her breakthrough as a professional photographer came with the collaboration with Terry de Havilland in 2004/2005, from which her first solo exhibition, titled Landed at the Christophe Guye Galerie shows from August 29 to November 23 2019 a large selection of the most important works. Since then Summerton has established herself as one of the most talented photographers to emerge in the mid 2000's. Her in-depth technical knowledge coupled with her eye for detail and love for fashion have made her images not only unique but very distinctive, setting her apart from other photographers working in the industry today. Summerton's work revolves around the themes of fashion, love, desire and intimacy. Her Polaroid works are part of a project Summerton started in 1999 as a series of Self Portraits, firstly as visual love letters to her then partner and also in an attempt to re-find her voice with photography. ‘My mother was a dressmaker, and in school, she would make me dresses to wear to dances based on drawings I made,’ she says. Back then, costumes were an access point to unleash Summerton’s imagination. In her ‘Polaroid experiments’, as she calls them, costumes again became a vehicle for her to express her inner life. Summerton’s Editorial Clients include: Italian, British, American, German, Australian, Spanish, Japanese and Chinese Vogue’s, i-D, Self Service, Dazed & Confused, The Last magazine,10 and Big Magazine. Info: Amanda Seyfried, Givenchy by Ricardo Tisci (clothing), Van Cleef, Arpels & Martin Katz...